Dead Game: An Emily Stone Novel



Dead Game
An Emily Stone Novel
Jennifer Chase
Outskirts Press, Inc 2010
ISBN: 978-1-4327-5128-9
Trade Paperback
370 pages
Thriller

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The Story

Dead Game. Behind the wildly successful video game EagleEye hides a monster who uses the players as a pool of victims for his horrific hobby.

When Rick Lopez discovers his former mentor (Milt) has apparently committed suicide, he and Emily Stone take a break from their full-time occupation of hunting pedophiles. Both are former police officers who, without a bureaucracy to answer to, have become scary good at what they do. So, it doesn’t take the vigilant duo long to figure out Milt has been killed by a local madman who video-tapes his victims being slowly strangled to death by a home-made horror machine. What they don’t know and won’t realize until the team is marked for death themselves, is that Milt’s murder was the direct result of his discovery that the monster they all want to capture is using a worldwide network of serial killers to play his game. This network, a hidden internet site that functions much like Facebook, connects the professional killers of the world, offers them opportunities for socializing and even provides them with work. Rick and Emily and some of the other characters you’ll meet along the way are now in the sights of a deadly team of these killers. The impending showdown will teach Emily Stone she has a dark side which is quite eager to be released.

The Review

My format for today’s review is to address the detractors who have slammed Dead Game as being flat, guilty of jumping back and forth between different viewpoints and even harbouring too many spelling mistakes.

As the review pool for this novel is small, a collection of such opinions can be quite damaging. So let’s deal with each in its turn and see what we come up with.

1. The Novel was flat, the main characters had flexible morality at best and it was hard to care who died at the end. I cared very much about the possibility of Rick Lopez being killed. He provides balance and insights into the Emily Stone Character, who is, indeed, emotionally flat. Emily is a damaged individual, which is easily shown by and through the work she does; Stone doesn’t spend a lot of time on reflection. If this is all you look at and for, then you will be unhappy with the book. It is only through Rick that we see what Emily could be and is becoming. We are also shown how closely she walks the line between asset and liability to the law.

2. Multiple viewpoints spoil the novel. Yes, multiple viewpoints can be confusing. They definitely require more effort from the reader. This alone does not spoil a novel. It’s my opinion in a fast moving thriller like Dead Game, multiple viewpoints allow the author to introduce critical information that, you, the reader needs to have. Was this done in a heavy handed way? I didn’t think so: but the evaluation would be something each reader has to make himself.

3. Spelling mistakes. I became involved enough in the story, I didn’t notice any spelling or grammar errors. This is one of my important tests. If the author does something to pull me out of the story, then I’m going to nail her for it; disturbing or ruining the suspension of disbelief is an error no author should make.

So, the only thing that stood out for other reviewers and myself was a certain flatness experienced by the reviewer as reader. I’ve given you my take on this. Anything else you’ll have to decide on your own.

But let me put this an other way: Dead Game is a self-published book, even though the publisher is listed as Outskirts Press, Inc. Considering all a self-publisher has to deal with, I say this is a thriller well done and worth reading.

Copyright, Clayton Clifford Bye 2011

Interrogating Jennifer Chase







Jennifer Chase
Award Winning Author & Criminologist



Blog: http://authorjenniferchase.com/
Website: http://jenniferchase.vpweb.com/
Crime Watch: http://emilystonecrimewatch.blogspot.com/
Book & Crime Talk: http://www.blogtalkradio.com/jennifer-chase
Books: Compulsion = Dead Game = Silent Partner = Screenwriting


Jennifer’s Interrogation

Thank you to everyone who has read Compulsion. I appreciate all my reviews, support, and feedback from fans.

I receive all types of questions about my writing and Compulsion. Here’s a quick highlight:

1. What writers or books have inspired you?
There are so many great books and writers out there. I’ve especially enjoyed finding new authors and networking. If I had to pick the writers who have inspired me over the years, they would be Dean Koontz (wonderful good versus evil and horror stories), Jeffrey Deaver (fantastic Lincoln Rhyme novels), and John Douglas (opening my eyes to the true crime genre and profiling of serial killers).

2. What books made an impression on you as a child?
The Secret Garden by Frances Hodgson Burnett and the Nancy Drew series by Carolyn Keene made a big impression on me as a child. I still love these books today.

3. Do you write more during the day or at night?
I write mostly during the day, especially the morning. I like to keep a regular sleeping schedule if at all possible. It helps to keep me focused on my projects and well rested.

4. Do you prefer a desktop or laptop computer?
I have both, but I mainly write from my desktop computer. When I’m getting restless and want a change of scenery, I will take my laptop outdoors.

5. What’s your favorite genre?
Thrillers of course! Actually, I really enjoy any type of mystery, paranormal, or horror story too.

6. What’s your favorite food?
Without a doubt, Italian food is my favorite.

7. Do you prefer cats or dogs?
I love animals, but I’m definitely a dog person with two high-energy Labradors. I also have two funny cats that help round out the crew.

8. How long did it take you to write Compulsion?
I thought about the story for quite a while, but the actual writing time up to submitting it to the publisher was about eight months.

9. What inspired you to write Compulsion?
My inspiration for Compulsion is really three-fold. First, my love for writing and wanting to complete a thriller novel has been the main driving force. Second, my academic background in forensics and criminology actually gave me the confidence to write about serial killers and related crime scene investigations. And finally, it was my first hand experience living next door to a psychopathic individual with violent tendencies who consistently threatened my life for more than two years, along with my interaction with local law enforcement. But, this bad experience gave me first-hand exposure and a great jumping off point to begin planning the characters for my first book.

10. Do you outline your stories?
Yes, I spend time working out a complete outline of my story. It’s more like a choppy first draft of my book. Then I write the actual manuscript and it flows along like a breeze. It’s a great process for me!

11. What is surrounding you on your desk right now?
A ton of books both read and unread, research books and notes, miscellaneous papers, various articles, several sizes of spiral notebooks with more notes, pens, several colors of highlighters, and of course my two loyal Labradors at my feet.

12. What’s your writing schedule?
I generally write everyday, except Sunday. I try to begin my writing day as early as I can because I seem to be more productive before lunch. I also try to break up the long day with a walk with my dogs, aerobic exercise, or something outdoors to refresh my mind.

13. What’s your favorite part of research?
I don’t dread research at all because I like learning something new I didn’t know before. And I always enjoy talking with a variety of forensic experts in the law enforcement profession.

14. What do you do if you get writer’s block?
I really don’t get writer’s block per se. What sometimes plagues me instead is if a scene or character isn’t working out in the story. It’s more frustrating than anything else. I like to take a little bit of time to get outdoors and enjoy a nice walk, go to the beach and enjoy the waves, or take some photographs. This helps to calm my overactive creative mind and then I can refocus on my project when I return to my computer.

15. Are characters in Compulsion based on any “real” people?
I have to smile when I hear this question. My characters are generally a combination of people I’ve observed or met in my life along with my imagination. Some may resemble an actual person, but this is purely coincidental. However, I’ve met quite a few of interesting and inspiring characters in my journey.

16. What’s your favorite meal during your writing time?
Chicken, apple, and walnut salad.

17. When did you know you wanted to be a writer?
The first time I ever saw a book.

18. What book are you reading right now?
The Good Guy by Dean Koontz.

19. If you weren’t a writer, what profession would you choose?
It would have to be in the psychology or criminology field with a law enforcement agency like the FBI.

20. What can we expect to see next?
My second Emily Stone novel will be out later this year and she has her hands full trying to track down a high-tech serial killer. I’m also outlining more thriller novels and I’m working on a possible paranormal thriller project as well. On the back burner for now is a true crime that I want to write. I’m keeping busy!

Be sure to check out the adventures of Emily Stone in Compulsion, and I look forward to receiving your comments and questions.


Our thanks to Jennifer Chase for allowing us to reprint “the interrogation” –Clayton Bye, Editor-in-Chief

IN THE WOODS by Tana French, winner of the 2008 Edgar Award for best first novel.


IN THE WOODS
Tana French
Hodder, 2007
ISBN: 978-0-340-92476-1
Mass Market Paperback
596 pages
Crime/Thriller

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IN THE WOODS by Tara French is an Irish thriller set in and around Knocknaree in Dublin County. The story is narrated by Rob Ryan, a man who warns us in the opening pages of the book that he is a detective who “craves the truth,” yet “he lies.” Cassie Maddox is Ryan’s partner and both are fairly new additions to the elite Dublin Murder Squad.

Sitting in the common room while everyone else is on break, Cassie and Ryan catch the homicide of a 12 year-old girl out at the archeological digs at Knocknaree. And so the lies begin. The two accept the case knowing full well Ryan has a history there that should automatically preclude his participation. You see, on August 14, 1984 Adam Robert Ryan, 12 years of age, was found traumatized in the woods behind the walled community of Knocknaree. The boy and girl (also 12) who were with him are gone. Because his running shoes are full of blood not his own, everyone assumes the worst. And they’re right. The two missing children are never found. Adam, who doesn’t remember what happened to he and his friends that day, is soon shipped off to a boarding school in order to get him away from the media fray. Eventually, he begins to use a shortened version of his middle name and becomes Rob Ryan. There are now only five people who know Rob’s true identity, and Cassie is one of them.

What follows is a murder case that should have been fairly straightforward, but due to Rob’s knowledge of the murders some twenty years ago, everything becomes tangled in possibilities: Is this case tied to the old one? Who are the local people who were there then, and are they still there now? Why was the body left on a pagan sacrificial table at the dig, when the bodies in the earlier crime were taken away? Could someone on the archeological team be involved? Or is it someone in the dysfunctional family of the little girl?

Because of the high profile of the case (a major highway is set to go through the dig site in 2 weeks) Cassie and Ryan are given a third detective and a slew of floaters. Even so, from the moment the case begins, Ryan begins to disintegrate. He doesn’t always tell us this. And we’re stuck with his word as the case begins to blow wide open. For example,  he goes into the woods at Knocknaree one night, by himself, and tells us that he has remembered part of the day when he lost his friends. Yet he hides his actions. Ryan steps over a line with Cassie, then tries to make excuses while he goes on to ruin his relationship with her. But these are lies. The further I got in the novel, the more convinced I became that Ryan was so damaged by what happened to him when he was young that he should never have become a detective and that deep down, where he really lives, he’s incapable of having a true and honest relationship with anyone.

I think proof of what I’ve intimated above can be found in one simple observation: Ryan, at the beginning of the novel is likeable, even charming, but as the novel progresses and we see his veneer begin to erode, it becomes harder and harder to like him or to agree with the choices he’s making. I won’t tell you how all this works out. Nor will I tell you about the murder investigation. But when you finish that last page, give serious thought to what this story was really about. Was the homicide case a structure on which to build a character study of a deeply flawed man? Or was it something else… let’s say a wonderfully detailed look at the true cost of the murder of one individual? Maybe it’s simply an extraordinary thriller, made new to us because of the unusual Irish setting and the depth of the writing?

Have fun deciding. IN THE WOODS might be any one of a number of things, but it is, for sure, a page turner that will keep you up until the small hours of the morning.

Copyright © Clayton Clifford Bye 2010