In the Woods, a Novel Review

This was one of those books that has been sitting in my “to read” stack for a long time–several years, in fact. While I really enjoy Tana French’s style, this, her debut novel, doesn’t get more than three stars from me.

Well written and well edited–not one typo or misspelling, the book really grips the reader through three quarters of the story. While some readers found the start slow, I didn’t. The prologue was pertinent and adept in its work of hooking this reader and sets up a whole novel and its main character. (Those four slashes really provide a crux.) Chapter one and all the way through until Robert (Adam) Ryan gets stupid, the undying questions–who killed Katy, and what happened to Pete and Jaime–stay…and build urgency. Then the story mires down as the lead investigator gets muddled…as men are wont to do with and because of women they love and admire.

Between graft, corruption and politics that underlays most human societies, this tale, set in Ireland, doesn’t hedge on reality. The detectives and their support staff move through the investigation in a realistic manner and make honest mistakes. Neither does it present a story that conveniently ties up all loose ends. It’s a good read, but I wouldn’t call it great. It’s real, and it’s definitely a character-driven novel that will hold you, at least until Rob takes an emotional dive. Disgusted, you will, then read to the end to find out what happens, but your momentum might not be quite as driven and your satisfaction will be tainted by the outcome.

Then there are those four slashes….

In the Woods by Tana French is available in multiple formats at Amazon.com.

Dead Game: An Emily Stone Novel



Dead Game
An Emily Stone Novel
Jennifer Chase
Outskirts Press, Inc 2010
ISBN: 978-1-4327-5128-9
Trade Paperback
370 pages
Thriller

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The Story

Dead Game. Behind the wildly successful video game EagleEye hides a monster who uses the players as a pool of victims for his horrific hobby.

When Rick Lopez discovers his former mentor (Milt) has apparently committed suicide, he and Emily Stone take a break from their full-time occupation of hunting pedophiles. Both are former police officers who, without a bureaucracy to answer to, have become scary good at what they do. So, it doesn’t take the vigilant duo long to figure out Milt has been killed by a local madman who video-tapes his victims being slowly strangled to death by a home-made horror machine. What they don’t know and won’t realize until the team is marked for death themselves, is that Milt’s murder was the direct result of his discovery that the monster they all want to capture is using a worldwide network of serial killers to play his game. This network, a hidden internet site that functions much like Facebook, connects the professional killers of the world, offers them opportunities for socializing and even provides them with work. Rick and Emily and some of the other characters you’ll meet along the way are now in the sights of a deadly team of these killers. The impending showdown will teach Emily Stone she has a dark side which is quite eager to be released.

The Review

My format for today’s review is to address the detractors who have slammed Dead Game as being flat, guilty of jumping back and forth between different viewpoints and even harbouring too many spelling mistakes.

As the review pool for this novel is small, a collection of such opinions can be quite damaging. So let’s deal with each in its turn and see what we come up with.

1. The Novel was flat, the main characters had flexible morality at best and it was hard to care who died at the end. I cared very much about the possibility of Rick Lopez being killed. He provides balance and insights into the Emily Stone Character, who is, indeed, emotionally flat. Emily is a damaged individual, which is easily shown by and through the work she does; Stone doesn’t spend a lot of time on reflection. If this is all you look at and for, then you will be unhappy with the book. It is only through Rick that we see what Emily could be and is becoming. We are also shown how closely she walks the line between asset and liability to the law.

2. Multiple viewpoints spoil the novel. Yes, multiple viewpoints can be confusing. They definitely require more effort from the reader. This alone does not spoil a novel. It’s my opinion in a fast moving thriller like Dead Game, multiple viewpoints allow the author to introduce critical information that, you, the reader needs to have. Was this done in a heavy handed way? I didn’t think so: but the evaluation would be something each reader has to make himself.

3. Spelling mistakes. I became involved enough in the story, I didn’t notice any spelling or grammar errors. This is one of my important tests. If the author does something to pull me out of the story, then I’m going to nail her for it; disturbing or ruining the suspension of disbelief is an error no author should make.

So, the only thing that stood out for other reviewers and myself was a certain flatness experienced by the reviewer as reader. I’ve given you my take on this. Anything else you’ll have to decide on your own.

But let me put this an other way: Dead Game is a self-published book, even though the publisher is listed as Outskirts Press, Inc. Considering all a self-publisher has to deal with, I say this is a thriller well done and worth reading.

Copyright, Clayton Clifford Bye 2011

The Girl Who Kicked The Hornet’s Nest



The Girl Who Kicked The Hornet’s Nest
Stieg Larsson
Penguin Group Canada, 2010
ISBN 978-0-670-06903-3
Hardcover
563 pages
fiction/thriller/crime

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Well, it’s done and on the shelves; Stieg Larrson’s last book in a trilogy about a government-generated psychopath who decides she isn’t going to be a victim anymore. Lisbeth Salander is slim, short, boyish, bisexual and can hold her own, physically, against anyone. She also has a photographic memory and is one of the top computer hackers in the world. Living by her own moral code and violently rejecting anyone who tries to make her conform, Lisbeth manages to steal billions of Kroner from a crook, begins living as she wishes and even collects a few friends along the way. However, after tracking down her evil father (who is responsible for virtually everything that’s wrong with her and her life), he and her serial killer brother shoot her in the head and bury her alive, she, of course, digs her way out and almost finishes them off. This brings us to the end of the first two novels.

As the third book begins: Salander is in the hospital awaiting 16 serious charges, including murder. Her father is just 2 rooms down from her. He is also recuperating and spends his days dreaming of killing his daughter. Things take off from this point. A group of friends and honest cops join together to prove Lisbeth is innocent of all charges, that the real perpetrators are an invisible unit operating within the Security Police (SAPO), the same unit responsible for Salander’s odd behaviour and questionable mental state.

From here the book becomes what I would call a police procedural. Author Stieg Larsson obviously knew the inner workings of the Swedish political establishment, the structure and purpose of the police and, of course, the newspaper industry. In The Girl Who Kicked The Hornet’s Nest, Larsson lets that knowledge out as he takes us on a virtual step-by-step journey from Salander with a bullet in her head until she finishes her case in court, to the secondary character (our real hero) Mikail Blomkvist who plans to take down the CEO of the largest newspaper in the country, help the police snuff out the nest of bad cops and criminals operating within the bowels of SAPO and put together a defense strategy for Salander that has the potential to wreak revenge on virtually everyone who has ever hurt her.

Reviewers at The New York Times and The Globe and Mail, to name a few, just don’t like the phenomenal success of these three books. You can feel it all the way through their reviews. Reviews, by the way that just can’t find a way to pick apart these monumental, international bestsellers. I think these reviewers just don’t “get it.”

Yes, Larsson didn’t know all he should have with respect to writing fiction: he was a reporter and news editor for many years. It’s a different kind of writing. Yes, he sometimes let his right wing politics loose on left wing ideals and notions. Yes, there were a number of messages in his writing, the most important being his statement about the state’s role in the diminishment of women, as well as many abhorrent individual behaviours that seem to be accepted by a complacent society. And I say: So what?

Larsson wrote detailed stories that rang so true, suspending judgment (a must for fictional stories to succeed) wasn’t ever an issue. He also entertained us with, in my mind, the most interesting antihero in modern fiction. Lisbeth Salander is such a mixture of characteristics, I believe she has the ability to capture readers from all genres and ages. Too bad Stieg Larrsson died. I’ve read that he intended the series to be 10 books in length. Wouldn’t that have been something?


Copyright © Clayton Clifford Bye