Crimson Letters From Kandahar Province by Ian DG Sandusky

Please note that this analysis contains spoilers.


Crimson Letters
From Kandahar Province

Ian DG Sandusky
Wild Wolf Publishing 2011
ISBN: 978-1-907954-09-2
Trade Paperback
202 pages
Suspense/Horror

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After a roadside bomb tears Private Quincent L Meyer’s life apart in Kandahar Province, Afghanistan, he’s left horrifically mutilated. Back home, job opportunities pass him by and children cry at the very sight of him. All alone, the world fades to grey.

Continued searching for work and insanely brutal workouts fill those grey days, and evening drinking at The Stallion takes care of the rest. But every night Quince is plagued by nightmares, forced to relive the fatal patrol again and again. As the shrapnel rips through him, he wakes to a life he barely knows anymore.

Then, just as there’s a ray of light—a budding romance with the beautiful Sarah, a drunken decision leads to a stupid, reflexive moment that leaves a woman dead and his life ruined. Knowing that if he stays the cops will catch him, Quince decides to re-enlist.

This is when Quince truly begins a descent into a hell of his own making. And we, the readers, watch in horror as our hero makes one inhuman decision after another, reveals one bit of insanity after another… The terrible secret he brought back from Kandahar; The gruesome, torturous death he brings to someone who betrays him; The red phone on his living room wall that can’t dial out but that someone who knows the horrors he has perpetrated can use to call him. The place he goes to in the end; a sort of purgatory, where all will be explained.

And as the book comes to an end, Quince is offered one more choice. When he makes it, all is revealed and we see the Crimson Letters From Kandahar Province for what they really are.

How do you make readers care about a narcissistic murderer, an ex-soldier who’s answer to everything seems extreme and often violent? You sneak up on the readers, of course, hoping they have enough invested in Quince Meyer to keep them reading an increasingly bizarre story—a tale that finally pushes through to a place where the author carefully reels his readers back in so they can sort things out in their minds, readying his audience for when they reach the brief double dénouement, where there’s a moment when Quince suddenly understands what has been going on and another moment where they’re expected to go “Ah… I get it, these are the Crimson Letters From Kandahar Province.”

I think Ian Sandusky took a chance with this book. He counts on the readers to be intrigued when our good guy turns out to be a bad guy. Then he keeps them in suspense as to how this is all going to play out, while he takes them through one horror after the next, with some of the readers, I’m sure, wondering how the hell any of this ties into the title. Where and what are the Crimson Letters from Kandahar Province?

Well, Mr. Sandusky, your gamble paid off with me. You caught me by surprise. Maybe I was just having a bad day, but I prefer to think your story concept, while not exactly new, was dressed up in it’s own unique brand of clothes—the sharp suit capturing my attention while you performed sleights of hand I should have caught. Yes, I looked back and found enough evidence there was something so “hinky”about the story, I should have been on high alert. But even then, I’m pretty sure I wouldn’t have been able to put the whole story together.

And that last bit is where you lose points. Going forward, Mr. Sandusky, you should remember all puzzles need to be solvable. This fundamental law will keep your readers hanging on and ensure that the suspense keeps building. You see, the readers trust you to play fair, Mr. Sandusky, to give them a chance to win your little game. If that chance doesn’t exist, then you have cheated them.

So, what do I do? Crimson Letters from Kandahar Province is a unique and, in a creepy way, interesting story. A few too many typos, missing words and wrong words used, but not enough to affect the tale. If your reader is a passive one, they will have a rewarding experience when everything is laid out for them in the end (if they can make the leap from literal letters to metaphorical ones). But the active reader, the one who works hard to solve the mystery posed by the letters: I question as to whether there are enough clues for them to figure out what’s going on. Myself, I went with the paranormal, which is certainly left open as a possibility. I suppose someone could make the leap to metaphorical letters and a possible dream sequence. But the actual truth? I suspect not. And that means what could easily have been a solid 4 star book drops down to a 3.

Copyright © Clayton Clifford Bye

Ghosts of Coronado Bay by JG Faherty



Ghosts of Coronado Bay
A MAYA BLAIR MYSTERY
by JG Faherty
Published by: JournalStone, June 10, 2011
ISBN: 978-1-936564-09-5
Trade Paperback
160 pages
Mystery/Ghost Story/Young Adult

ebook version, ISBN: 978-1-936564-10-1

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Maya Blair is a modern 16 year-old growing up in the seaside town of Coronado Bay. She thinks she’s expected to put in too many hours at her parents’ Diner. She just dumped her football player boyfriend, Stuart, because he was much too possessive. And now she doesn’t have a date for the Homecoming Dance. To make matters worse, Stuart can’t seem to let go: he keeps confronting her, saying nasty things and getting physical (she has the hand-print bruise on her arm to prove it). It’s like he’s turned into a creepy stalker.

Her best friend, Lucy, thinks Maya should grab a cute guy, invite him to the dance and have some real fun: sex being Lucy’s primary choice when it comes to having fun. Now, Maya isn’t a member of Virgin-a-Teens, a local group which promotes chastity for teenagers, but neither does she believe in the “3 date rule” as a guideline for when to have sex. She would just like to be in love when it happens.

Little does Maya know that her virginity is about to become the source of incredible terror for her, her friends and the entire town. You see, the museum has put up a display of recently rescued items from a ship that sunk in the bay 100 years ago. And with that display came a group of ghosts, one of them an evil sorcerer who’s searching for a key, a book and a virgin witch. Bad news. You see, Maya can help the wizard achieve all three.

In some circles, Maya would be considered a witch. She has the ability to see ghosts, and when she’s close to them, ghosts become solid, just like the living. The wizard can use Maya to become solid long enough to find the key and the book. And legend has it that her blood, the blood of a virgin witch, will make him human again.

Will Maya solve the mystery posed by the Ghosts of Coronado Bay and save herself from having to choose between losing her virginity or possible death? Even if she figures out what’s going on, will Maya have the strength to fight the evil sorcerer and save her friends from outright murder? Then there are those who are already dead. How’s she supposed to deal with that? Thank goodness she has the support of a couple of good looking guys who have just shown up in her life…

I enjoyed reading Ghosts of Coronado Bay. It felt fresh and authentic. Teenagers who talk and treat sex as casually as they do buying a dress for the Homecoming Dance. Raging hormones, poor choices unexpectedly followed by difficult, even valiant ones. Everything at high speed and often accompanied by a lot of drama. An interesting bad guy so focused on what he wants that the reader may be surprised by his casual brutality. Even the three supporting characters have some interesting facets that lend themselves well to the plot.

The writing in Ghosts of Coronado Bay is confident, well edited, and JG Faherty doesn’t “write down” to his audience (girls 12-15 would be my guess). The only reason Ghosts of Coronado Bay is classified as Young Adult is that it’s a story about young adults, with young adult problems, who are thrown into an extremely adult situation, one that most adults would be hard pressed to deal with.

If I had to pick one thing which impressed me more than any other in Ghosts of Coronado Bay, it would be Faherty’s treatment of “The Ghost Story.” I have often said I don’t like Ghost Stories. They tend to move slowly, with many of them striving to reproduce a more simple, more formal time. The language plods. The pace plods. And the payoff, unfortunately, is not usually enough to compensate for the cost of reading the story. Not so in Ghosts of Coronado Bay. The pace and language is such that I can envision adults stealing the book from their daughter’s bookshelf.

The one thing I would have had the author fix is what happens to Maya’s grandmother. I won’t discuss this in exact terms, as it would be a spoiler. Let it suffice to say that during the climax something happens to Grandma that is extremely upsetting, yet as the author winds up all the loose ends, he negates what happened to Grandma, which should be impossible and is jarring enough it kicked me right out of the story. What a bad time to lose me. I’m still trying to figure out if the author made a mistake or if his writing is such that I misunderstood what happened. It was, and is, a disturbing moment in an otherwise flawless story.

In any event, I’ll be giving Ghosts of Coronado Bay 4 stars over at goodreads.com. Well done, Mr. Faherty.


Copyright, Clayton Clifford Bye, 2011

Sing You Home by Jodi Picoult



Sing You Home
Jodi Picoult
Atria Books
March 1, 2011
978-1-4391-0272-5
Hardcover
461 Pages
General Fiction

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On March 10, 2011 Sing You Home by Jodi Picoult is number 1 on the USA Today book list and on the New York times print and e-book lists


Sing You Home by Jodi Picoult. This is a novel that covers a lot of territory with a smooth but firm hand. There’s nothing new or extraordinary covered in Sing You Home. What is extraordinary, sometimes brilliant, and definitely rare, is the author. Jodi Picoult has managed to write a story that creates such a closeness between the reader and the main characters that an emotional connection is virtually assured. This is what all novelists want but rarely get.

Picoult’s novel, according to the front flap of the book’s dust jacket, is about identity within the framework of love, marriage and parenthood: it’s about family.

But then we come to the official blurb. Sing You Home “explores what it means to be gay in today’s world, and how reproductive science has outstripped the legal system. Are embryos people or property? What challenges do same-sex couples face when it comes to marriage and adoption? What happens when religion and sexual orientation – two issues that are supposed to be justice-blind — enter the courtroom? And most importantly, what constitutes a “traditional family” in today’s day and age?” Its as if we’re talking about two different books, isn’t it? And in a way we are. This is a book with two plot lines and two themes that become entwined within the main character, Zoe Baxter. Yet Jodi Picoult gives us all this by making us an intimate part of Zoe Baxter’s journey. Read on…

“Picoult writes with unassuming brilliance.”
— Stephen King

“It’s hard to exaggerate how well Picoult writes.”
— Financial Times

“Picoult writes with a fine touch, a sharp eye for detail, and a firm grasp of the delicacy and complexity of human relationships.”
—The Boston Globe

“Picoult is a master of the craft of storytelling”
—Book Review, AP news wire

Take the word of these people. They know. And as I already tried to say: the reader is so involved in the story of Zoe Baxter, right from the first page, that I believe I shouldn’t tell you anything more. Why would you want me to ruin your reading experience?

I give Jodi Picoult 5 Stars for creating a mainstream novel that is the expected easy and interesting read but which also offers a powerful, emotion-packed look into the life of someone you might otherwise never meet.

Copyright, Clayton Bye 2011