Giller Prize Finalist and Winner of the Paragraphe Hugh Maclennan Prize for Fiction, FALL by COLIN McADAM



Fall
Colin McAdam
Penguin Canada, 2009
Trade Paperback
ISBN: 978–0-14-305534-1
367 pages, including Readers Guide
Literary Fiction

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Fall is the 2009 novel by Colin McAdam, author of the much lauded Some Great Thing. The story takes place at an elite boarding school in Ottawa and focuses on Julius and Noel, room-mates in their final year. A tricky read, Fall is an experience as much as it is a story. Consider this…

- Fall is the most beautiful girl in a largely male, co-ed boarding school.
- Julius, a popular athlete, is Fall’s boyfriend.
- Noel is a loner who desires Fall and wants to be Julius.
- Fall never appears in the novel, except as memories; she has no point of view.
- Julius comes to us in two ways, as a memory and in stream of consciousness during his last day with Fall.
- Noel describes himself, Julius and Fall from a distance of years. But as the book progresses, it becomes apparent that we can’t trust Noel’s narration. As this recognition comes, the story instantly becomes a darker experience for the reader.

It works this way. The last year of school, arguably the best he’s had, is revealed to us by an articulate and mature, 30 year-old Noel. We watch in fascination as he becomes a friend to Julius and through him to other students who Noel would never otherwise have had access. Then there’s Fall, whom he never really gets to know until a prank gone wrong sees Julius gated (think of house arrest) for weeks. Noel is used as a go-between, a note giver and taker. Snaking through this narration is the story of the last day Julius and Fall ever spend together, all revealed in stream of consciousness by the immature, not so smart, Julian.

This tale reveals the intimacy and pressures of an institution as much interested in teaching impeccable behaviour as it is with academics. We listen to Noel and experience Julius (and to a certain extent, Fall), becoming so close to the characters we are desperate to discover how this strange triangle resolves itself. And when it does? No, I’m not going to tell you how. In the aftershock, everything changes. Noel’s narration changes, because there are now people involved who can demonstrate to the reader that something isn’t quite right. And even more suspicious is the cessation of Julius’ stream of consciousness, just as a wave of jealousy has him declare his intent to follow Fall and observe her behaviour when he’s not around.

As I’m sure you have guessed something terrible is going to happen. And because it becomes apparent that we can’t trust Noel or Julius, the reader will find himself going back again and again as he tries to resolve the mystery. My own assessment is that resolution is impossible. Noel is, for sure, a developing psychopath, so how can we believe what he tells? And I can find no way to explain the disappearance of Julian from the tale–unless he’s guilty of something the author doesn’t want known.

I suggest that even though I won’t explain the mystery to you, I can tell you the book moves forward like a stream, smoothly flowing over and around rocks of many colours; slowly speeding up until there is no way to stop it from spilling over into a larger body of water. This is the kind of book that comes along only a few times in a lifetime: Fall is a novel that can and should be read more than once, because in the end you realize that the writing, the narration, the bits and pieces of life that flash before you, are more solid and revealing and meaningful than the mystery itself.

Copyright, Clayton Clifford Bye 2011

Home by Carson Buckingham. A story that doesn’t know what it is.



Home
Carson Buckingham
Hellfire Publishing
April 30th 2011
Digital ISBN: 978-1-937179-72-4
Cover art by: Bob Freeman
Genre: Fantasy/Dark Fantasy

When Kate Kavanagh was thirteen she unwillingly had her fortune read. Madame Samedi, part of the Leight & Fogg Carnival, read the cards for Kate’s friend Lucille, then she did the same for Kate. Both girls thought their futures sounded just fine, even laughable when Madame told Lucille she would be killed by pirates and a cryptic comment was made regarding Kate’s wish to fit in.

I suppose, since Kate didn’t believe in such things, she had no reason to remember the prophecy when her friend Lucille, her husband and their small daughter are killed on a Halloween evening by an ex-boyfriend and some friends-all of whom were dressed up as pirates. The reader has not forgotten.

But in all fairness to the author, Kate had problems of her own. A verbally abusive husband who siphons their savings in all sorts of get-rich-quick schemes. A man who gambles recklessly with other people’s money, then let’s his wife take the beating meant for him. This is definitely not the life the fortune teller had revealed. But the reader knows something is coming.

Fast forward two years: Kate is about to leave Arizona for her mother’s funeral, when her husband tells her he can’t go, that he has a BBQ at his employers home, so he’s staying behind. It doesn’t take long for Kate to see this as her chance to finally break with the man, so she takes it.

And now the story takes a sharp turn. Her Aunt, who had always lived in the family home, also dies (within a week of Kate’s mother), leaving Kate a small fortune and the house in Three Oaks, Connecticut. The money is fine and welcomed, but the house is not as it was a year ago. It seems forbidding, with all the windows on the main floor gone. And either the house is haunted or Kate has rats.

I will stop there, as all of what I’ve described could (and probably should) be called back story. Don’t get me wrong: Carson Buckingham has a style of writing that allows you to sit back and be comfortably carried through her story. But when all of what I mentioned seems irrelevant to the second half of the book, I’m forced to ask the question “Why was the story started where it was, when it could have begun with Kate’s arrival at her new Home, giving the author the time to really develop the characters in Three Oaks?” I also can’t help but think that taking the story beyond the completely surprising ending would have lead to a tale with better developed characters. Finally, Home had true potential for becoming a horror story with impact. Home is many things: interesting, different, has a storyline that twists like a snake, often reads like a romance (the pacing) or a fantasy (the characters), but it is not horror. At no time did the story disturb me or make me uncomfortable.

So, Carson Buckingham’s Home doesn’t fall squarely into any genre-and that’s fine by me. What isn’t so fine is that Buckingham sent this to me as horror. I would have picked fantasy or urban fantasy, even dark fantasy (only because the story allows no out for Kate), but I don’t see the horror. Kate, from the first pages, is established as someone who follows, who will not fight life for what she wants. Her husband? I feel for her, but she does nothing to help herself. Three Oaks? A way to end her marriage that is provided from the outside. What happens after that, as mind blowing as it is, can be shown in retrospect as being completely in character.

Perhaps this is the horror Carson Buckingham wants us to see, how Kate’s life, from the moment of birth, is set on a path she’s incapable of changing. The author shows us Kate is made ready for what happens to her because she is a follower, and because she can’t find it in herself to stand up to her horrible husband until Three Oaks and her Home stand ready behind her. If so, then Home is an admirable effort for Buckingham’s first long piece of fiction.

My final comment is for the author rather than the reader. Carson, I found both your writing skill and your style quite agreeable. There is one glaring exception to that statement, and it’s important. Someone pointed it out to me, in my own writing, many years ago. I’ll now return the favour: your characters must stay within the context you have created for them. 13 year-old Lucille would never have spoken as shown below. She wouldn’t have made such an observation, nor would she describe it using such words. This is the author stepping into the story in a glaring manner…

“One thing you need to learn, Katie Kavanagh, is that fun doesn’t always give you something to show for your money except this,” Lucille said, pointing to the grin on her face. “I want to do this because tomorrow is Halloween. I want to do this because I can smell the last of the fall leaves on the ground and can hear a blizzard coming. I’m positively desperate for some pretty lies to warm me through the bone-cold Connecticut winter and see me through until Valentine’s Day,” Lucille said.

Point made?

Copyright, Clayton Clifford Bye 2011

Dead Forever by William Campbell


Editor’s Note:
Dead Forever is a Science Fiction Adventure dispensed as a Trilogy. Each book offers pieces of a puzzle that was too tough for me. Truth be told, I solved the puzzle at the same time as the hero–when the author gave us the answer. All three books are reviewed here for your pleasure.


Awakening: Dead Forever Book One


Carl Brown is a homeless man who suffers from migraines so bad he takes black market drugs everyday. The headaches get worse whenever he tries to think about the past. So, he sleeps under a bridge that gives him a view of the bright lights of the city he’ll never get to visit, and he dreams. “Dreams are better than real life,” he says.

Then he’s targeted by soldiers who look and dress the same way–black plastic jackets and black hair cuts in the shape of a helmet: black on black, BOB’s he calls them. Carl is about to learn that he’s been living on the edge of a conformist society of virtual immortals, a dumping ground for people who aren’t willing to meet society’s demands. Now the conformists (or The Association) have a new solution for aberrant citizens: they are eliminated by erasing all memory of past lives and then being banished to a lonely corner of the galaxy. Yes, they will keep reincarnating as all people do, but there will be no continuous memories on which to build. There’s even a phrase for it: Dead Forever.

But Carl is rescued just before he becomes a Popsicle ready for shipment. And he finds his problems, rather than being over, have just begun. Carl is really Adam. He has a mind control device embedded in his head that, once removed, allows him to think freely but still leaves him with no memory of his many past lives. Yet he’s expected to reclaim his place as the planet’s resistance leader. Thus begins a very human Awakening that culminates in a battle situation where he will either remember who he is or die with no memory of how to come back from the dead.

Review

In a conformist society that reincarnates, insurgents are eliminated by erasing the memory of past lives. A reluctant hero escapes the Dead Forever process, but stricken with amnesia begins a quest to awaken his memory then confront the enemy. Eager to arouse his past, a flirtatious member of the rebel team shows him the life he once enjoyed, and more.

I found Awakening, the first book in a trilogy called Dead Forever to be fast moving and fun to read: a good science fiction romp that doesn’t pretend to be something it’s not. The author was mildly heavy handed when proposing certain beliefs or concepts, but I was looking for these. Most readers won’t notice.

This was a professionally written and solidly edited book that I feel is well worth the price and time you’ll spend on it. Cool science concepts made believable and an interesting storyline by an author who’s unafraid to have some fun while he’s writing. A great example of micro-publishing.


Apotheosis: Dead Forever Book Two


Adam is an important man, perhaps the leader of the resistance against the planetary destroying “Association.” We’re not sure, because Adam isn’t sure himself.

You see, Adam is in an extremely dangerous line of work: he gets killed a lot. And while he’s dead, the man’s past lives are open to him. He doesn’t like this at all. He dislikes it so much, in fact, that he chooses not to remember his past lives when he acquires a new body.

His friends, having been through this many times, won’t help him remember who he is. It’s my belief (it’s not spelled out in the story) that these people feel that since Adam chooses to forget, it’s up to him to remember what he’s lost. As you might imagine, friend and foe having access to endless knowledge and skills, while he’s for the most part an amnesiac, makes it almost impossible for Adam to do his job.

Adam, typical of many of his lives (this is only inferred), muddles his way through a civil war on an alien planet where he’s viewed as a god, where he does battle with a human who does believe and act as if he was a god, and where he’s ultimately forced to mediate peace talks he knows in his gut will fail in the most horrific of ways.

Review

Apotheosis: The fact or action of becoming a god; deification; Glorification, exaltation; crediting someone with extraordinary power or status; A glorified example or ideal; the apex or pinnacle (of a concept or belief). In short (and in this novel), elevating someone to the level of a god.

The second book in the Dead Forever series opens with Adam in this exact fix. The two warring races indigenous to the planet on which he finds himself insist on treating Adam as a god. Adam finds this inconvenient, as he’s only interested in finding his missing lover. But as time progresses, he discovers the only way he’s going to get what he wants is to end the war. Much of Apotheosis deals with this situation, but the writing lacks the sense of speed I experienced in the first book. Although, there’s a good chance the author’s multiple surprises near and at the end of the book may be more dramatic because of that pacing.

Perhaps it would be best just to say I believe Apotheosis is another solid science fiction adventure from William Campbell, one with a unique idea that drives it ever forward. At the end of it all, I didn’t resent the slower pace, and I enjoyed the continuing complexities of Adam’s life.


Resonance: Dead Forever Book Three


Damian is a strange boy who has memories from past lives. Sometimes these memories are useful, like knowing that the reason we have earwax is to keep out bugs–they don’t like the smell of the wax. And sometimes there are memories he would give anything to forget… The boy is growing up during the cold war, and there are days it appears that nothing will stop the coming rain of bombs. Damian remembers what it feels like to die that way. He never wants to experience it again. But adults aren’t interested in disruptive behaviour and an overactive imagination. Those in the school system are the worst; they see a child in need of therapy and medication. Thank goodness for a mother willing to stand behind her boy when he needs it most.

As an adult, Damian’s notions prove true when he encounters people from a distant past, also reincarnated on Earth. They tell him his name is Adam, and one friend seems especially eager for Adam to remember who he is. But are these people, who seem to know each other very well, friends or enemies? Why have they all collected on Earth at this time and in this way? The answer is sure to surprise you. It also provides the missing (and I believe needed) bridges between the three novels, bringing each clearly into focus. Awakening… Apotheosis… Resonance. Science Fiction as original as it comes. I hope you enjoy the series as much as I did.

Publisher: http://www.glydevanspress.com/
Author: http://www.deadforever.com/


Copyright, Clayton Clifford Bye 2011